Adam Szabo JP6K (Win)

Adam Szabo JP6K (Win)
  • Adam Szabo
  • JP6K
  • v1.7
  • x64

Adam Szabo JP6K (Win) is a synth committed to replicating the well known Super Saw sound, first found in the Roland JP-8000 synthesizer in 1997. It hopes to get the encapsulation of the sound and the direction of the main oscillator. Much after 10 years, the Super Saw is up ’til now searched for after by people all around the world and is a huge bit of such music classes like Trance.

There are a couple of elements that make the Super Saw in the JP6K not exactly equivalent to various synths that give a similar sound. The principal Super Saw from Roland was partner, right now a splendid and “windy” sound. To shield the sound from sounding savage underneath the important symphonious, a high pass channel was maybe used to oust the unwanted frequencies. The JP6K uses a comparative structure to achieve that exceptional oscillator waveform giving it a noteworthy tone.

Another noteworthy piece of the praiseworthy Super Saw, was its unprecedented detune twist. It was non-direct, which gave the customer increasingly important control over the detune whole. In any occasion, when the detune control was more than halfway, the spread of the detune was pretty much nothing, which made it possible to make outstandingly smooth sounding pads. The twist by then bit by bit extended, and at higher characteristics, the detune immediately spread out to generally extraordinary. This unique curve is accurately exhibited in JP6K, making it about unclear from the detune in the hardware.

Adam Szabo JP6K (Win) moreover impersonates various features from the JP-8000 like the channels, key after and the EQ, to give it a much progressively obvious way to deal with shape the Super Saw sound. The synth has been moved up to use unimportant proportion of CPU, so it is possible to use various cases.

JP6K Key features:

  • 32 voice polyphony
  • Two Super Saw oscillators, an upper and lower with panning
  • 1 noise oscillator
  • Three filter modes: low pass, bandpass and high pass with -12 & -24 dB/Oct
  • Three independent LFOs controlling the filter, amp, and pitch
  • Pitch envelope
  • Glide (Portamento) / MIDI pitch-wheel support
  • Built in delay and EQ
  • 114 presets, which includes presets from CFA-Sound, MASCHINENBAUERMUSIC, Mikey O’Hare and Grzegorz

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