Antares Auto-Tune 7.6.8 (Mac)

Antares Auto-Tune 7.6.8 (Mac)
  • Publisher: Antares
  • Product: Auto-Tune
  • Version: 7.6.8
  • Format: AU, VST3
  • Operating System: OS X El Capitan (10.11) or higher

Auto-Tune 7 by Antares is a pitch correction and vocal audio effects VST plugin unit for Windows 7 or higher and macOS 10.11 (El Capitan) or higher. Antares Auto-Tune 7 runs as a VST Plugin, an AU (Audio Unit) Plugin, and an VST3 Plugin.

Antares Auto-Tune 7 a multi-platform plug-in that corrects intonation problems in vocals or solo instruments, in real time, without distortion or artifacts, while preserving all of the expressive nuance of the first performance with audio quality so pristine that the sole difference between what goes in and what comes out is that the intonation. Over a typical pitch correction range, it’s simply impossible to inform that a sound has been processed, except that it’s perfectly in tune.

Antares Auto-Tune 7 Features

Auto-Tune 7 introduces some cool new features, but first, here’s a fast overview of a number of the previously established features:

Auto-Tune 7 is out there within the Native version that supports RTAS, VST, and AU formats, and separately during a TDM version for professional Tools HD systems. At the instant , if you buy the TDM version, Antares is bundling the native version along side it as a “bonus.”

In Automatic mode, you decide on a key, a scale type, and a vocal range (alto, soprano, etc.) and let Auto-Tune correct vocal performances on-the-fly. the opposite mode, Graphical Mode, is what the name implies. The waveform is displayed graphically and therefore the plug-in provides various tools to visually correct/edit the waveform with surgical precision (i.e., time and pitch).

The Retune Speed function allows you to adjust how briskly or slow pitch correction is applied to the audio source. Faster settings are useful in pitch correcting vocals with short words/notes, while the slower settings are better to be used with long-held notes and performances with portamento. In Graphical mode, you’ll assign a singular retune speed to every individual note or range of corrected audio material.

Bypass and take away buttons allow you to select notes within the chosen scale to either remove (thus causing a note to be pitch-corrected to the closest available note within the scale) or to bypass correction, leaving certain notes unaffected by pitch correction.

Pitch doesn’t need to be corrected to a predefined scale. Not only are you able to define custom scales, but with Auto-Tune’s MIDI capabilities, you’ll either play notes to match the vocal performance otherwise you can supply the “proper” vocal melody via a keyboard sequence and have your vocal track pitch corrected to the performance.

A Targeting Ignores Vibrato button enables a feature that attempts to discern vibrato during a vocal performance and not pitch correct it.

Scales are often detuned from standard A-440 Hz dig in case you’re working with a performance matched to an out of tune instrument like an old organ, a lazy guitarist who didn’t tune properly, or presumably , recording with an acoustic piano that had concert tuning or otherwise drifted from standard pitch.

The Humanize feature exists to be used with vocal performances that incorporate a mixture of short words and long-held notes. If you set the Retune Speed to optimally treat the short words, it could render long-held notes a touch sterile. The Humanize feature allows you to apply slower retune speeds to only the sustained notes.

The Natural Vibrato feature allows you to increase or decrease the depth of vibrato during a performance. Note that this particular feature only works if there’s vibrato within the performance – it doesn’t magically create vibrato. But if you are doing want to magically create vibrato, there are controls for that, too!

IThe audio (your track) loads into the plug-in in real time, and you get an summary of the waveform’s amplitude behind the editing display’s pitch-tracking curves. Below the editing window is either a zoomed-out overview of all tracked audio, or an immediate mirror of the editing window’s time selection. rock bottom display splits into two waveforms during Time Correction, displaying the first timing on rock bottom and therefore the corrected timing on the highest .

Important note:
The difference between our patched versions and OpenSSH his implementation is that these plugins are not depending on the system lib anymore. Instead, we are using a copy of the crack in the Applications/ilok folder. In other words, you can run these patched plugins without altering your system files and run all Adobe software without problems. This is especially useful for El Capitan and future revisions of OSX, in which it doesn’t require disabling System Integrity Protection (SIP) anymore to work. H00K

This Post Has 4 Comments

  1. Mar

    Hi! How should I download it? thanks!

    1. Admin

      Hey Mar, the link is updated. Thank you for your feedback.

  2. johnte

    the link is not working

    1. Admin

      Just tested, it is working. I would suggest you to use VPN.

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