- Native Instruments
- AU, VST
- 32-bit and 64-bit
- Mac OS X Yosemite or higher
Native Instruments FM8 (Mac) is a Virtual Instrument and a Virtual Effect Audio Plugin. It functions as a VST Plugin, an Audio Units Plugin, an RTAS Plugin and an AAX Plugin.
The successor to the award winning FM7, Native Instrument’s FM8 continues where its massive predecessor had stopped. FM8 has an all new interface and colour scheme which looks nothing just like the DX7-inspired interface the FM7 has. it is a powerful FM software synthesizer (VSTi, DXi, RTAS) which may be used for a good range of genres. it’s the potential to supply bread ‘n butter seems like a typical ROMpler would and is thus a synthesizer with the facility to become one among the few software synthesizers you’ll ever need. ditch the complexity of algorithms found in Yamaha’s DX-series and FS1r, FM8 has an FM matrix during which the user can define any FM path imaginable. ditch the tiny two-line displays of the old days, FM8 features a clean interface where every feature is one or two mouse clicks away and about every aspect of FM8 are often assigned to a controller via the MIDI learn button.
With multi-segment envelopes, multi-segment scaling curves and an in depth modulation matrix, FM8 is capable of very detailed sounds baring an almost human quality and realism. If anything, FM8 may be a synthesizer which invites you back to the age where it had been fun and rewarding to make new sounds from scratch again. because of the various sound shaping aspects you’ll change with velocity, aftertouch and other controllers, FM8 are often exceptionally expressive and musical. increase this a huge new effects section and within a moment you’ll forget the FM beasts of yesteryear. FM8 grows on you wish a fine wine; the longer you employ it, the more you’ll appreciate it. Every now then you will find out it’s possible to craft sounds you never thought of as possible, a singular experience which sound designers thrive on.
The IN-operator becomes effective when FM8 is getting used as an effects plug-in (called FM8fx). Any audio source that’s fed into FM8fx are often used as operator output. It can modulate and be modulated by the FM8fx operators, giving practically infinite sound shaping possibilities. Evidently, a traditional FM8 instance can (as a whole) modulate an operator in an FM8fx instance. Simply put: the output of an entire FM8 patch (including its effects!) can modulate an easy wave in an FM8fx instance. Use a sample player to feed a sample into FM8fx and you will enter SY77/99 territory.
A practical aspect of FM8 is its low CPU usage. On a recent PC, multiple instances of FM8 together will easily offer you many voices and tens of effects, which makes it a handy tool for any musical production. Sounds which FM8 does alright include all kinds of bells and chromatic percussion, DX pianos, organs, Rhodes, a good range of basses, guitars, strings, lively percussion instruments, rich synthvoxes, classic stringmachines, woodwinds, brass, evolving pads, synthpads, expressive leads, harsh leads, sound effects, and every one with fine musical expression and control.
FM8 is caviar for sound design gurus, which are some things to stay in mind: it’s still FM. FM might not be for everybody , it doesn’t have the simple design of a standard analogue synthesizer or maybe a basic ROMpler. FM-synthesis is vast, and demands more efforts before your sound sounds well, and even more efforts before it sounds musically expressive. Luckily, this is not a DX synth with a posh interface , and even novice users will discover that the fundamentals of FM8 aren’t too hard to know . From the attitude of the interface , Native Instruments has done their job alright .