Overloud Gem Comp76 V2 (Win & Mac)

Publisher: Overloud
 Product: Gem Comp76 V2
 Version: 2.0.4 Incl Keygen - R2R
 Formats: APP, AU, VST, VST3, AAX
 Bit Depth: 32-bit and 64-bit
 Free Download (251 MB)
  • Publisher: Overloud
  • Product: Gem Comp76 V2
  • Version: 2.0.4 Incl Keygen – R2R
  • Formats: APP, AU, VST, VST3, AAX
  • Bit Depth: 32-bit and 64-bit

Comp76 V2 fet compressor-limiter is the revolutionary simulation of legendary fet compressor-limiter beyond the hardware.

What’s new in Comp76 V2?

  • NEW in v2! Three revisions in one plugin!
  • Built-in Mid-Side Processing
  • Built-in Parallel Compression
  • NEW in v2! Low frequency sensitivity control
  • NEW in v2! Harmonics amount control
  • NEW in v2! Oversample control, including ultra-oversampling mode
  • Hyper-realistic simulation of the original unit thanks to the 4th generation dsp technology
  • Simulation of all transformers in the original unit
  • Emulates the original All-buttons-in mode
  • Low cpu usage (more than 1000 instances on a Macbook Pro Retina)
  • Lots of presets designed in real mixing sessions
  • Scribble Strips: take notes anywhere on the plugin panel
  • Meter Calibration: calibrate the VU meters at 5 different sensibilities

Beyond the Original Hardware

Comp76 extends the features of the original hardware: it combines the flexibility of the digital world to the sound character of the analog processing.

Model Selection

Select between three different revisions: Rev. A (the older and warmer one), Rev. D (the classic “Low Noise” version) and the Rev. F (modern, faster and crisper).

Sidechain Filter

You can tweak a Low Cut filter on the Sidechain to reduce the compressor sensitivity to low frequencies. The amount of harmonic generation can be controlled as well.

Parallel Compression

Parallel compression is a powerful mixing technique which helps improve the overall impact of the track while leaving the transients intact. It is achieved by summing the compressor output to the original track

Built-in Mid-side Processing

You can separately compress the mono and stereo elements of the track, using different compression settings for each. This gives you complete control of the dynamics: you can squeeze the stereo aspect to tighten the room mics and get an in-your-face drum sound.

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