Cinesamples CineWinds CORE (KONTAKT)

Cinesamples CineWinds CORE (KONTAKT)
  • Cinesamples
  • CineWinds CORE
  • v1.4.0
  • KONTAKT v5.3.1+

Cinesamples CineWinds CORE (KONTAKT) library covers the fundamentals of the symphonic woodwinds area, and as usual, we center around effortlessness and unmatched chronicle quality.

Each instrument has been carefully inspected to cover the subtlety and detail of these while keeping up convenience for the writer. Cinesamples CineWinds CORE (KONTAKT) library gives a solid establishment of expressive woodwinds for our forming formats.

Cinesamples is pleased to introduce Cinesamples CineWinds CORE (KONTAKT) library, a cutting edge instrumental woodwinds library recorded in the incredible MGM Scoring Stage at Sony Pictures Studios in Los Angeles, and blended by ace architect Dennis Sands (The Avengers, The Shawshank Redemption, Back to the Future, Forrest Gump, American Beauty).

Cinesamples CineWinds CORE (KONTAKT) library covers the fundamentals of the symphonic woodwinds area, and as usual, we center around effortlessness and unmatched chronicle quality.

CINESAMPLES ADAPTIVE LEGATO ENGINE

Cinesamples applied its Adaptive Legato Engine from CineStrings SOLO, Tina Guo Acoustic Cello Legato, and Viola da Gamba to CineWinds CORE. It permits you to tailor the legato reaction to your own playing style, and is intended to react musically to your presentation. The motor distinguishes your playing speed and shrewdly modifies the interim speed to coordinate. This implies you can play moderate, expressive lines and quick runs in a solitary exhibition, without contacting the speed dial. Also, the force parameter reacts to speed.

In the Settings Tab, the VOLUME RANGE controls how much the volume is influenced by CC1. So the individuals who use CC1 and CC11 together can keep the slider right down, and the individuals who just utilize the mod wheel can turn it up.

Utilizing the VEL/ATTACK work, the assault of each note reacts to your speed. Lower speeds will produce a more slow assault.

QUANTIZE MODE: In any True Legato instrument, there will be some slack when playing note-to-note advances. This is typically made up for by moving all notes somewhat to one side in the sequencer, or by utilizing a track pre-delay. The issue with most legato libraries is that the timings of each note are conflicting; the main note in an expression will sound promptly, while ensuing notes will be deferred. The Quantize Mode handles this issue by figuring the legato slack time, and applying a similar deferral to non-legato examples. This implies you can quantize an exhibition, move the MIDI to one side, and the timings of each note will be steady.

NEW MAPPING TAB

CineWinds CORE incorporates a pristine mapping territory styled after CineStrings SOLO that takes into consideration more noteworthy adaptability in redoing arranger work processes.

ACCENT OVERLAY

The Accent Overlay control layers an extra explanation (Marcato = Short 1/2, Staccato = Short 1/4, Spiccato = Short 1/8) over the assault of supports. Turning on ACCENTED LEGATO adds this layer to the legato changes.

NEW VIBRATO CONTROL

In the Mapping tab, the Vibrato fader takes into account a variable crossfade speed into and out of vibrato tests. This control defaults to CC2 however can be alloted to any controller.

ENSEMBLE PATCHES

The new Ensemble Patches include the Piccolo at 8va, an octave over the flute. The new Ensemble Chords Patch is a triadic harmony manufacturer that capacities like CineOrch.

KONTAKT ENCRYPTION

With this update, CineWinds now works in both the full Kontakt sampler and the FREE Kontakt Player. It would be ideal if you note, nonetheless, that CineWinds just works with Kontakt 5.3.1 or more.

Group PATCHES

CineWinds Core 1.2 currently incorporates the expansion of a few new ‘Troupe’ patches. These new fixes consolidate the center instruments (Piccolo, Flute, Oboe, Clarinet, Bassoon) into a solitary fix extended over the console. These Ensemble patches incorporate the greater part of the essential short and continue explanations of each instrument, the scopes of which can be balanced on the SETTINGS tab of the UI.

Profound DE-NOISING

We have carefully executed a multi-layered de-noising process on each example in the whole CineWinds CORE and PRO assortment. The outcome is a gigantic enhancement for the examples in past renditions. Tune in to the demos beneath utilizing the new de-noised test set.

Harmony ARRANGER

In the Middle Left region, you can locate our NEW restrictive component called “Harmony Arranger”. By turning on this component, the client will have the option to play a harmony and have the fix consequently appoint it to an instrument, rather than utilizing the essential instrument switch ranges. At the point when actuated, the content will split the notes and send them to various instruments – for example with a wide voiced 3-note harmony: the top note to woodwind/oboe, the center note to oboe/clarinet and the base note to bassoon. The client can likewise pick between the settings “light” (one instrument for every note), “medium (two instruments for each note)” and “overwhelming” (3 instruments for every note so long it is inside their range). “Light” is the most practical setting while “Substantial” is an exceptionally thick course of action. “Medium” is frequently valuable for square harmony courses of action.” Since the content is “tuning in” to the harmony being played, there is a slight deferral, so quick short entries may cause issues.

ARTICULATIONS PATCHES

The entirety of the Articulations Patches in CineWinds Core contain shorts of different lengths and elements, just as supports and trills. We recorded numerous redundancies per note and various elements as follows:

Likewise, the entirety of the mapping in the Articulations Patches is dynamic, so you can choose from 5 instinctive presets in the UI. A custom mapping matrix is offered, for clients who wish to tweak the parameters past the presets. Each parameter and worth is alterable, and about any blend is conceivable. Obviously, on the off chance that you are not a tweaker, you can stay with one of the 5 preset mappings (suggested).

What is True Legato? Genuine Legato implies that we inspected the entirety of the intervalic jumps all through the extents, both upwards and downwards, for each independent woodwind. At the point when you play a True Legato fix, it immediately examinations the interims you play, at that point plays the fitting transitional jump between the notes. The outcome is a smooth and practical legato execution. For all instruments we did this at 3 unique levels, again utilizing our dynamic transforming to mix consistently from piano to fortissimo. A key component of our True Legato fixes, is the Polyphonic Legato mode. This mode permits you to play lines of at least 2 notes all the while, while keeping up the fitting change tests between all notes. This is particularly compelling when playing harmonies that need to interface in a sensible manner.

PATCH LIST

  • 01 Piccolo Articulations
  • 02 Piccolo True Legato
  • 03 Flute Articulations
  • 04 Flute True Legato
  • 05 Oboe 1 Articulations
  • 06 Oboe 1 True Legato
  • 07 Oboe 2 Articulations
  • 08 Oboe 2 True Legato
  • 09 Clarinet Articulations
  • 10 Clarinet True Legato
  • 11 Bassoon Articulations
  • 12 Bassoon True Legato
  • 13 Full Ensemble Articulations (Unison Picc)
  • 14 Full Ensemble Articulations (8va Picc)
  • 15 Ensemble Chords
  • Legacy [folder]
  • Split Patches [folder]

COMPATIBLE WITH THE FREE KONTAKT PLAYER

CineWinds CORE does not require you to purchase any additional sample playback software and is licensed to work with the Native Instrument’s free Kontakt Player. All you need is a sequencer like Logic, Cubase, Digital Performer, LIVE, or Pro Tools, and you’ll be up and running.

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