Red Rock Sound All Plug-ins Bundle 2026.03 [WiN]

• Product: All Plug-ins Bundle
• Publisher: Red Rock Sound
• Version: 2026.03.26
• Format: VST, VST3, AAX
• Requirements: Windows 7 or later
• Source: redrocksound.pro/en/macwin

The Red Rock Sound All Plug-ins Bundle packages 21 plugins across four sub-bundles and seven standalone items — covering vintage American and British console EQs, passive program equalizers, dynamics processing, stereo enhancement, spectral analysis, a limiter, and a Soviet-synthesizer-inspired synth — under one license. Every plugin in the bundle supports immersive audio formats up to 7.1.4 and 9.1.6 alongside stereo and mid-side operation, with per-channel group routing configurable to 16 independent processing channels. Its differentiator is format breadth at a single price: the immersive audio capability built into each plugin — multiple independently configurable EQ instances per channel group, per-object routing profiles, LFE passthrough — applies across the entire catalog rather than being limited to a few flagship titles. For any mixing or mastering engineer looking for a complete vintage-style processing toolkit that handles stereo and immersive sessions from one purchase, this is that toolkit.

Key Takeaway

Activates when a studio needs a full range of vintage-modeled EQ, dynamics, and enhancement tools for both stereo and immersive sessions, without assembling them from separate developers with different routing conventions and format support levels. Displaces the overhead of purchasing and managing equivalent tools across multiple vendors when consistent immersive support across every processing category is the requirement. Doesn’t include reverb, delay, pitch processing, or modulation effects — the bundle is oriented entirely toward EQ, dynamics, enhancement, analysis, and synthesis, and sessions needing space or movement processing require tools outside the bundle.

American Classics Bundle: Four API-Inspired EQs

The American Classics Bundle covers four EQ designs based on late-1960s American console equalizer circuitry — the AQ550 (21-point reciprocal equalizer with five boost/cut steps per band and switchable peaking or shelving on the outer bands), the AQ550b (four-band version with seven switchable frequencies per band specifically selected to be musical rather than numerically regular), the AQ560 (10-band graphic equalizer), and the EQ3 (air-band EQ with a high-frequency presence band). All four use Proportional Q filtering — a design behavior where filter bandwidth widens automatically at low boost/cut settings and narrows at high settings without a separate bandwidth control — which reduces the phase-shift character that fixed-Q filters produce at high-gain settings.

Analog Saturation is switchable per instance on all four, which lets an engineer add or remove the harmonic coloring of the modeled circuit without changing any EQ setting. Each plugin includes a Groups system with four independently configurable EQ instances arranged in series, allowing one plugin instance to apply different settings to the mid channel, side channel, left/right pair, or any other channel combination defined by the Input Routing profile. Input routing covers 44 channel setups from stereo to 9.1.6, with user-defined profiles covering formats outside the factory list.

British Classics Bundle: Channel Strip, Class-A Preamp, Compressor, Four-Band EQ

The British Classics Bundle covers four tools referencing 1970s British console designs: PUNCH is a channel strip combining preamp gain, a four-band EQ, and a compressor in one interface; EQ173 models the class-A transistor mic/line amplifier and EQ from the 1970 Neve 1073 preamp, adding the specific clarity and top-end sheen of class-A transformer-coupled circuitry; COMP609 models the dynamics character of a 1970s British hardware compressor developed in collaboration with mastering engineer Nicholay Mix; BQ-A models a late-1970s British console EQ with four switchable frequency bands, three combined high-pass and three low-pass filters at the extremes of the EQ section that produce unusual curve shapes when engaged simultaneously.

The BQ-A’s combined filter behavior — where pushing multiple high-pass or low-pass switches simultaneously creates filter combinations unavailable from simple single-switch operation — is a design-specific behavior that distinguishes it from generic four-band EQ designs. The same Groups and Input Routing architecture as the American Classics applies throughout the British Classics, with COMP609 adding multichannel support for applying dynamics processing across full immersive buses.

Blue EQ Bundle: Three Pultec-Inspired Passive Equalizers

The Blue EQ Bundle covers three passive equalizer designs referencing classic 1960s program equalizer hardware: PEC is a collection combining EQP-1A and MEQ-5 in one interface; EQP-1A models the 1960s broadband program equalizer with its characteristic ability to boost and cut the same frequency simultaneously, creating a resonant shelf rather than a standard boost or cut; MEQ-5 covers the 300Hz–5kHz midrange range with two boost bands and one cut band, addressing the frequency region where most program-material energy is concentrated.

The simultaneous boost-and-cut behavior of the EQP-1A — where engaging both the boost and cut controls at the same frequency widens the resonant shelf rather than canceling to flat — is the passive EQ characteristic that gives this circuit family its musical behavior on program material. The Blue EQ Bundle plugins were designed specifically for immersive mixing workflows, with the EQP-1A product page explicitly positioning it around saving the time previously spent on manual mid-side and 3D audio workarounds. The Automatic Gain Control mode available across the bundle’s passive EQs compensates for the level differences passive equalizer designs introduce when heavily boosting or cutting, keeping A/B comparison accurate without manual output trimming.

Enhancer Bundle, Standalone Tools, and the Synthesis Outlier

The Enhancer Bundle covers three tools for spatial and tonal enhancement: Fuse Stereo Image for stereo field manipulation, Exciter for harmonic enrichment beyond what equalization achieves, and Bass Enhancer for low-frequency extension and reinforcement. These three function as finishing tools that apply to processed material — adding shimmer, weight, or width that EQ and dynamics alone don’t produce — rather than corrective processors.

The standalone items outside the sub-bundles cover different functions: SA360 is a spectrum analyzer bundle (SA60mc for 32-band 1/3-octave analysis based on the 1980 DN60 hardware, EQ302mc as a 32-band graphic equalizer, and SA360 as the combined package); uniQ 2 is a channel equalizer combining EQP-1A and MEQ-5 in one interface; Inspirer is a loudness maximizer built specifically for immersive music mixes; and Fuji Limiter is a multichannel lookahead peak limiter with the same control simplicity as a two-channel limiter applied across immersive buses. Ivoks is the bundle’s category outlier — a two-oscillator synthesizer modeled on Soviet 1980s electromusical synthesizer design, with standard ADSR and AD-envelope modes, cross-modulation between oscillators, and a filter block covering lowpass-to-bandpass switching alongside LFO modulation, saturation, and noise generation. It has no parallel in the bundle’s EQ and dynamics catalog and represents a separate design lineage the rest of the bundle doesn’t share.

Shared Architecture and Immersive Format Coverage

Every plugin in the bundle supports the same Input Routing system — 44 channel setups from stereo through 7.1.4 and 9.1.6, with user-defined routing profiles — and the same Groups architecture where up to four processing instances run in series within one plugin instance, each configurable to a different channel subset. This means an immersive mix engineer can apply different EQ settings to the left/right pair, center channel, surround channels, and height channels simultaneously from one AQ550 instance rather than loading four separate instances with different routing.

The consistent architecture across all EQ plugins in the bundle means channel routing habits and group configuration learned in the AQ550 transfer directly to the AQ550b, AQ560, BQ-A, EQP-1A, and MEQ-5 without relearning a per-plugin interface convention. The dynamics and enhancement plugins apply the same Input Routing system at the bus and stem level rather than per-instance group processing, and the Fuji Limiter and Inspirer are explicitly designed around the immersive bus context rather than stereo-first with multichannel added as an afterthought.

21 Plugins, One Routing Convention, One Format Ceiling

The bundle’s real value is the Groups architecture and 9.1.6 Input Routing applying identically across every EQ in the catalog — the same channel-configuration habits work in the AQ550, AQ550b, BQ-A, EQP-1A, and MEQ-5 without relearning anything, which is what makes 21 plugins from one developer coherent rather than merely numerous.

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